Instrumental - Instrumental Music

An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a Big Band setting. The music is primarily or exclusively produced by musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer herself will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in size from a duo or trio to a large Big Band, concert band or orchestra.

In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing, an instrumental introduction. If the instrumental section highlights the skill, musicality, and often the virtuosity of a particular performer (or group of performers), the section may be called a "solo" (e.g., the guitar solo that is a key section of heavy metal music and hard rock songs). If the instruments are percussion instruments, the interlude can be called a percussion interlude or "percussion break". These interludes are a form of break in the song.

In popular music

In commercial popular music, instrumental tracks are sometimes renderings, remixes of a corresponding release that features vocals, but they may also be compositions originally conceived without vocals. One example of a genre in which both vocal/instrumental and solely instrumental songs are produced is blues. A blues band often uses mostly songs that have lyrics that are sung, but during the band's show, they may also perform instrumental songs which only include electric guitar, harmonica, upright bass/electric bass and drum kit. Another example of a genre in popular culture is Hip Hop, Pop, and R&B. Many upcoming or rising artists in Hip Hop, Pop, and R&B will find an instrumental online on a website, like www.beatsbytoon.com, and use it to create a song. An instrumental version of a song which otherwise features vocals is also known as a -1 (pronounced minus one).

Opposite concept

The opposite of instrumental music, that is, music for voices alone, without any accompaniment instruments, is a cappella, an Italian phrase that means "in the chapel". In early music, instruments such as trumpet and drums were considered outdoor instruments, and music for inside a chapel typically used quieter instruments, voices, or just voices alone. A capella music exists in both Classical music choir pieces (for choir without any accompanist piano or pipe organ) and in popular music styles such as doo wop groups and Barbershop quartets. For genres in which a non-vocal song or interlude is conceived using computers and software, rather than with acoustic musical instruments or electronic musical instruments, the term instrumental is still used for it.

Number-one instrumentals

Borderline cases

Some recordings which include brief examples of the human voice are typically considered instrumentals. Examples include singles with the following:

• Short verbal interjections (as in "Tequila" or "Topsy" or "Wipe Out" or "The Hustle" or "Bentley's Gonna Sort You Out")
• Repetitive nonsense words (e.g., "la la..." (as in "Calcutta") or "Woo Hoo");
• A short spoken passage (e.g., "To Live Is to Die" by Metallica);
• Wordless vocal effects, such as drones (e.g., "Rockit" or "Flying");
• Vocal percussion, such as beatbox B-sides on rap singles;
• Yodeling (e.g., "Hocus Pocus");
• Whistling (e.g., "I Was Kaiser Bill's Batman" or "Colonel Bogey March").
• An ominous statement at the end (e.g., God Bless the Children of the Beast by Mötley Crüe, For the Love of God by Steve Vai)
• Inclusion of field recordings which may or may not contain non-lyrical words. (e.g. Many songs by Godspeed You! Black Emperor and other post-rock bands.)

A few songs categorized as instrumentals may even include actual vocals, if they appear only as a short part of an extended piece (e.g., "Unchained Melody" (Les Baxter) or "TSOP (The Sound of Philadelphia)" or "Pick Up the Pieces" or "The Hustle" or "Fly, Robin, Fly" or "Get Up and Boogie", or "Do It Any Way You Wanna" or "Gonna Fly Now" (Bill Conti)). Falling just outside that definition is "Theme From Shaft" by Isaac Hayes.